Darzu ist erschienen der Sohn Gottes, BWV 40

Darzu ist erschienen der Sohn Gottes (For this purpose is the son of God manifested), BWV 40, is a Christmas cantata composed by Johann Sebastian Bach. The title also appears in more modern German as Dazu ist erschienen der Sohn Gottes.

Contents

History

The cantata was composed in Leipzig in 1723 for the second day of Christmastide, also known as Christmas Monday or St. Stephen's Day, which falls on 26 December. The work was thus premiered on 26 December 1723 and performed once more in Bach's lifetime, in either 1746 or 1747.

The prescribed readings for the day are from the Acts, the Martyrdom of of Stephen (Acts 6:8–7,22, Acts 7:51–59), and from the Gospel of Matthew, Jerusalem killing her prophets (Matthew 23:35–39).

The libretto is of mixed authorship, as follows[1][2]:

The chorale theme for movement 3 is Wir Christenleut hab'n jetzund Freud (Zahn 2072)[4], of unknown authorship.
The chorale theme for movement 6 is Schwing dich auf zu deinem Gott (Zahn 4870)[5], of unknown authorship.
The chorale theme for movement 8 is Freuet euch, ihr Christen alle (Zahn 7880a)[5] by Andreas Hammerschmidt, who published it in his Vierter Theill Musicalischer Andachten (1646), in Freiberg.

Bach re-used (parodied) the first movement of this cantata for the Cum Sancto Spiritu fugue in his 1738 Missa in F major, BWV 233.

Scoring and structure

The piece is scored for corni I/II, oboes I/II, violins I/II, viola, and basso continuo, along with three vocal soloists (altus, tenor, bass) and four-part choir.

It is in eight movements:

  1. (Coro): Darzu ist erschienen for choral and orchestral tutti.
  2. Recitativo: Das Wort ward Fleisch und wohnet in der Welt for tenor and continuo.
  3. Chorale: Die Sünd macht Leid for choral and orchestral tutti colle parti.
  4. Aria: Höllische Schlange, wird dir nicht bange for bass, oboes, strings, and continuo.
  5. Recitativo: Die Schlange, so im Paradies for altus, strings, and continuo.
  6. Chorale: Schüttle deinen Kopf und sprich for choral and orchestral tutti colle parti.
  7. Aria: Christenkinder, freuet euch! for tenor, corni, oboes, and continuo.
  8. Chorale: Jesu, nimm dich deiner Glieder for choral and orchestral tutti colle parti.

Recordings

References

  1. ^ Christoph Wolff (Eds.): Die Welt der Bach-Kantaten, Metzler/Bärenreiter, Stuttgart und Kassel, 3 Bände Sonderausgabe 2006 ISBN 3-476-02127-0
  2. ^ C. S. Terry and D. Litti, Bach's Cantata Libretti, Journal of the Royal Musical Association 1917 44(1):71-125; doi:10.1093/jrma/44.1.71
  3. ^ W. Blankenburg, Johann Sebastian Bach. Wege der Forschung. Darmstadt, 1970.
  4. ^ Die Melodien der deutschen evangelischen Kirchenlieder, aus den Quellen geschöpft und mitgeteilt von Johannes Zahn (6 volumes), Verlag Bertelsmann, Gütersloh (1889–93). [further edited by the Gesellschaft zur wissenschaftlichen Edition des deutschen Kirchenlieds. Hildesheim, New York: Georg Olms Verlagsbuchhandlung, 1998. 6 volumes. ISBN 3-48709-319-7]
  5. ^ a b Die Melodien der deutschen evangelischen Kirchenlieder, cit.

Sources

The first source is the score.

General sources are found for the Bach cantatas. Several databases provide additional information on each single cantata: